“White Iverson” led to Post’s 2016 debut, Stoney beerbongs & bentleys burrowed further into Post’s luxurious, messy melancholy, while 2019’s Hollywood’s Burning found him buttoning up and moving closer to the conventions of mainstream pop, all while retaining his peculiar touch. At live shows, there were no dancers, no pyrotechnics, just Post, in a baggy football jersey with a cigarette in his hand, bringing 60,000 people into his bedroom: The pop star as moody teen.īorn in 1995 in Syracuse, New York, and raised in the suburbs of Dallas, Post grew up on a mix of country, classic rock, and rap: in one well-circulated anecdote, young Post would get called into the living room to entertain dad and friends with the dance to Terror Squad’s “Lean Back.” He turned a love for the video game Guitar Hero into a love of actual guitar, playing in a metal band during high school while also starting to explore hip-hop. It’s hardly brief, but relatively slim in an era where overstuffed hip-hop albums frequently dominate the charts. ‘Twelve carat toothache’ will be Post Mlaone’s shortest album to date, clocking in around 45 minutes. The bass boomed, the melodies soared, and there was Post in the middle, rap-singing his woes like a lonely prince self-exiled in the castle. On January 26, 2022, he announced the album’s title in an interview with Billboard. His signature tracks-“rockstar,” “Sunflower,” “Congratulations”-were both bleak and beautiful, spaced-out and mainstream, hip-hop but not quite.
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